by Sean McNamara
The six-hour southbound bus ride passed quickly, as my anticipation for Sevilla’s famous spring Feria (Fair) grew and the monumental silhouettes of Andalusian bulls floated over the hills. Socibus, the company that shuttles travelers...
by Sean McNamara
The
six-hour southbound bus ride passed quickly, as my anticipation for Sevilla’s
famous spring Feria (Fair) grew and
the monumental silhouettes of Andalusian bulls floated over the hills. Socibus,
the company that shuttles travelers from
Before making my way to the fairgrounds, I
used the afternoon to get a few of Sevilla’s many tourist attractions under my
belt. Signs lead me to the historic city center, which is dominated by
Having lapped up my fill of Sevilla’s
history, I entered the flow of people crossing the
The portada gives way to a city of
colorful tents called casetas (little
houses), which are metal framed structures covered in brightly striped canvas
and jam-packed with Sevilla’s blue-blooded elite. The casetas, more so than the
acres of circus tents and rides, serve as the nucleus for the feria, as they
are home to all-night jamborees of dancing, socializing and general revelry.
Ranging from 30 to 90 square meters, most casetas are privately owned by
prestigious local families, private clubs, political parties and businesses,
and are therefore highly exclusive. There are, however, seven large public or
municipal casetas, where locals and wanderers alike can go for a beer, sherry
or tapa at the raucous bar.
Before the long night began, I used hours
four and five of my 18 to admire an event of equal importance to the casetas,
the Sevillans parading on horseback. Throughout the afternoon, until 8 PM to be
exact, the Sevillan aristocracy marches through the Real’s cobbled streets on
top of Andalusian horses so elaborately costumed
that you almost overlook the socialites riding on their backs. Abiding by ancient codes of horse conduct and
hospitality, the male riders, dressed in petticoats, belly-button high trousers
and wide-brimmed bolero hats, escort side-saddled female companions between
casetas, sharing a glass of Manzanilla
(a dry and very potent sherry wine - trust me on the potency) with the owner of
each house. The flowing “traje de gitana”
(gypsy dress, flamenco to us gringo/as) worn by almost all Sevillan women at
the fair make the horse parade look like a procession of stately 18th
century politicos escorting human size butterflies, I kid you not.
Hour seven and the clock turns 9:00, the
last rays of sun fade from the sky, leaving the feria illuminated under 360,000
light bulbs. This is when the real action begins. Caseta cooks start churning
out tapas to fuel their patrons: shrimp, lobster, lomo (pork), chicken skewers, tortilla
(Spanish omelet), fried hake, calamari and so forth. The wooden barrels of
manzanilla are propped up and the drinking begins. Flamenco music, supplied either by a private
troupe, booming stereo system or the Sevillans themselves, flows from every
caseta and collects in the streets, sweeping passersby up in the rhythm and impelling
them to dance in the cobbled lanes.
Now as a foreigner to the Feria you’ll
probably have to abandon your plans to blend in as a local. Traditionally, Sevillanas (women of
If you didn’t pack such gear, don’t worry you can still
party like an authentic Sevillan. The dance is contagious so watch the moves,
start clapping and join in. The basic moves are learned quickly: a three step
salsa with your feet, the occasional spin and a secret, repetitive motion with
the arms. I was lucky enough to be taught this secret by a group of
surprisingly sober Sevillans – “Coges la
manzana, la comes y tires.” It’s an exercise in interpretive dance: reach
up and pick the apple from the tree, take a bite and throw it away. Now try
this with one arm – carefully – and then start doing it back and forth… good,
there you go.
So you have the basics, but you will
quickly learn that every Sevillan at Feria dances the dance and they know more
than the two-step. Their heels stamp out the beat at machine-gun speed while their
arms twirl like ribbons of smoke. As the singer’s voice grows louder and more emotive,
their faces contort with passion and bliss. Many of the best flamenco
performances go on behind curtains in the private casetas, but the seven public
casetas have an intimate, upbeat air all to themselves and when the eager crowd
hits the dance floor, the flamenco comes fast and furious. I found that most
foreigners are drawn to the large caseta near the portada (portada/entrance) where, despite harsh lighting and
exposed metal frames, the boundless laughter gives the site undeniable warmth.
I must warn you, time will fly by in the
Feria’s casetas, so use it wisely. Hours 7-14 passed in the blink of an eye or,
maybe more accurately, in the sharing manzanillas with perfect strangers. When
the public casetas finally shut down and the younger Sevillan crowd is
convinced to move the party elsewhere, the streets of tent-city become a scene
from Fear and Loathing in Las Vegas:
lights and color overwhelm your senses, shouts of laughter fill the air, the
dance twirls on and everything blends together under the sherry’s amber hue.
Revive yourself for the walk home with some churros and
chocolate, then mosey back across the
river as quietly as can be, timing your footsteps to the muffled claps that
beat out the rhythm of the sleeping heart of Sevilla. This is Feria.
What was not Feria was the 4 hours of sleep I got on the freezing
bus station floor before Socibusing my way back to