Anna Bogutskaia
What do you live for? What would you die for? These are questions that The Countefeiters...
Cine Yelmo Ideal
Calle Dr. Cortezo, 6
Metro Sol/Tirso de Molina
What do you live for? What would you die for?
These are questions that The Countefeiters (Die Fälscher), the recipient
of this year’s Best Foreign Language Film Oscar, centre on. Unsympathetic
leading man Salomon Solowitsch is presented as a successful counterfeiter
leading a hedonistic existence who is unbothered by the incipient war and
persecution of the Jews.
After being captured halfway through
the forging the the elusive Dollar, he
makes his way through jail and hard labour by painting portraits and murals for
the guards. Thanks
to his talents, he is recruited by Herzog – the same man who captured him – to
lead Operation Bernhard, a grand-scale fraud designed to help finance the war
and destabilize the British economy. It is here that Sorowitsch is faced with
the dilemma that is the main attraction of this film: should he continue his
superficial, self-centered existence or consider the big picture and the
implications of his actions?
Sorowitsch is a bold protagonist;
his evolution is not a
His back story is left unexplored,
which makes him all the more intriguing: is he a failed artist turned criminal
or a forger with artistic sensibilities? Where does he get his fierce honour code from? Does
he care for anyone or about anything except “his art”?
Amongst the supporting players, Burger
is a whole other film waiting to happen. The only politically conscious character, he is the
closest you’ll get to a typical movie hero. (Incidentally, Burger is also the
only factual character, the film being based on his memoirs and every single
draft of the script was personally proof-read by him.) The rest of the
characters, both Nazis and counterfeiters, are mainly driven either by greed or
self-preservation.
The prisoners struggle too, torn between
their will to survive and the guilt of doing so, the shame in aiding a war in
order to live. Conflict
emerges when some are willing to die instead of working for the enemy, while
others refuse to sabotage their comfortable means of survival. Their brawls
challenge the viewer too: what would you do? How far will morals, principles or
politics take you? The Counterfeiters
rings truer than most of the WWII Hollywood mush precisely because it focuses on
the characters, the people, rather than historical propaganda. The glimpses
into the day-to-day brutality of concentration camps hit the viewer harder than
an hour long parade of war atrocities and mawkish close ups of children crying.